{"id":115,"date":"2013-02-25T02:09:30","date_gmt":"2013-02-25T00:09:30","guid":{"rendered":"http:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/?p=115"},"modified":"2018-08-13T16:32:42","modified_gmt":"2018-08-13T13:32:42","slug":"bes_hececiler","status":"publish","type":"post","link":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/bes_hececiler.htm","title":{"rendered":"Be\u015f Hececiler"},"content":{"rendered":"<p><span style=\"color: #000080;\"><strong>BE\u015e HECEC\u0130LER (HECEN\u0130N BE\u015e \u015eA\u0130R\u0130)\u00a0<\/strong><strong>(1914)<\/strong><\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong>\u00a0 \u00a0\u00a0\u00a0BE\u015e HECEC\u0130LER\u0130N \u00d6ZELL\u0130KLER\u0130<\/strong><\/span><\/p>\n<ul>\n<li>1914 y\u0131l\u0131nda olu\u015fan topluluk ilk \u015fiirlerini aruzla olu\u015fturmu\u015ftur. Mill\u00ee edebiyat ak\u0131m\u0131ndan etkilenen topluluk \u00f6zellikle Ziya G\u00f6kalp\u2019in etkisiyle aruzu b\u0131rak\u0131p hece \u00f6l\u00e7\u00fcs\u00fcyle yazmaya ba\u015flam\u0131\u015ft\u0131r.<\/li>\n<li>Ziya G\u00f6kalp\u2019in sistemle\u015ftirdi\u011fi T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131n\u0131 benimsemi\u015flerdir.<\/li>\n<li>Mill\u00ee Edebiyat D\u00f6nemi\u2019nden Cumhuriyet D\u00f6nemi\u2019ne kadar ge\u00e7i\u015fte k\u00f6pr\u00fc g\u00f6revi \u00fcstlenmi\u015flerdir.<\/li>\n<li>Cumhuriyet kurulduktan sonra da Mill\u00ee Edebiyat ilkelerine ba\u011fl\u0131 kalarak \u015fiir yazmaya devam ettiler.<\/li>\n<li>Mill\u00ee edebiyat\u0131n \u00f6l\u00e7\u00fc, bi\u00e7im ve naz\u0131m \u015fekillerini benimsediler. Hece ve d\u00f6rtl\u00fcklerle \u00fcr\u00fcn verdiler.<\/li>\n<li>S\u00fcsten uzak sade bir dille \u015fiir yazd\u0131lar.<\/li>\n<li>Anadolu ger\u00e7e\u011fini co\u015fkulu bir dille i\u015fleyerek \u015fiirimizin Anadolu\u2019ya a\u00e7\u0131lmas\u0131n\u0131 sa\u011flad\u0131lar. Mill\u00ee konular\u0131 lirik bir anlat\u0131mla \u015fiire yans\u0131tarak \u2018\u2019mill\u00ee romantik\u2019\u2019 bir tarz olu\u015fturdular.<\/li>\n<li>Halk\u0131n konu\u015fma dilini yaz\u0131ya aktararak yaz\u0131 dili ile konu\u015fma dili ayr\u0131m\u0131n\u0131n ortadan kalkmas\u0131na katk\u0131da bulundular.<\/li>\n<li>Anadolu co\u011frafyas\u0131n\u0131, insan\u0131n\u0131 mill\u00ee bir duyarl\u0131l\u0131k ve heyecanla ele alarak \u2018\u2019memleket edebiyat\u0131\u2019\u2019n\u0131 olu\u015fturdular. (Vasat insan tipi \u015fiire konu oldu.)<\/li>\n<li>\u015eiirde memleket sevgisi, yurdun g\u00fczellikleri, kahramanl\u0131k ve yi\u011fitlik gibi temalar\u0131 ele alm\u0131\u015flard\u0131r.<\/li>\n<li>Nesir c\u00fcmlesini \u015fiire aktarm\u0131\u015flard\u0131r. D\u00fczyaz\u0131daki s\u00f6zdiziminin \u015fiirlerinde g\u00f6r\u00fclmesi s\u0131k rastlanan bir \u00f6zelliktir.<\/li>\n<li>Hece vezni ile serbest m\u00fcstezat yazmay\u0131 da denemi\u015flerdir.<\/li>\n<li>Sanat \u015fiiri toplulu\u011fun manifestosu niteli\u011findedir.<\/li>\n<li>Mill\u00ee edebiyat zevk ve anlay\u0131\u015f\u0131n\u0131 Cumhuriyet D\u00f6nemi\u2019nde de s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015fm\u0131\u015flard\u0131r.<\/li>\n<\/ul>\n<p><span style=\"color: #ff0000;\"><strong>\u00a0\u00a0 SANAT \u015e\u0130\u0130R\u0130\u2019NDEN B\u0130R D\u00d6RTL\u00dcK<\/strong><\/span><\/p>\n<table style=\"height: 128px;\" width=\"325\">\n<tbody>\n<tr>\n<td width=\"342\">Ba\u015fka sanat bilmeyiz kar\u015f\u0131m\u0131zda dururken<br \/>\nYaz\u0131lmam\u0131\u015f bir destan gibi Anadolu\u2019muz<br \/>\nArkada\u015f, biz bu yolda t\u00fcrk\u00fcler tuttururken<br \/>\nSana u\u011furlar olsun&#8230; ayr\u0131l\u0131yor yolumuz<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"color: #000000;\">FARUK NAF\u0130Z \u00c7AMLIBEL<\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong>\u00a0FARUK NAF\u0130Z \u00c7AMLIBEL (1878 \u2013 1973)<\/strong><\/span><\/p>\n<ul>\n<li>\u0130stanbul\u2019da do\u011fan \u015f\u00e2ir edebiyat \u00f6\u011fretmenli\u011fi ve milletvekilli\u011fi yapm\u0131\u015ft\u0131r.<\/li>\n<li>Be\u015f Hececiler\u2019in en etkili ve en \u00f6nemli ismi olan \u015f\u00e2ir \u2018\u2019memleket\u00e7i edebiyat\u2019\u2019 ak\u0131m\u0131n\u0131n \u00f6nc\u00fcs\u00fcd\u00fcr.<\/li>\n<li>Deli Ozan, \u00c7amdeviren mahlas\u0131n\u0131 kullanm\u0131\u015ft\u0131r.<\/li>\n<li>\u015eiirlerinde a\u015fk, \u00f6zlem, kahramanl\u0131k, \u00f6l\u00fcm, tabiat, mill\u00ee tarih, memleket sevgisi, Anadolu ve Atat\u00fcrk gibi konular\u0131 i\u015flemi\u015ftir. \u00d6zellikle \u015fiirlerinde Anadolu ve memleket sevgisi \u00f6n plana \u00e7\u0131kar.<\/li>\n<li>\u0130lk \u015fiirlerini aruzla yazan \u015f\u00e2ir (Yahya Kemal etkisi) daha sonra hece vezniyle \u015fiirler yazmaya ba\u015flam\u0131\u015ft\u0131r.<\/li>\n<li>1919\u2019da \u00e7\u0131kard\u0131\u011f\u0131 ve Be\u015f Hececiler\u2019in e\u011filimlerini yanstan \u2018\u2019Dinle Neyden \u2018\u2019 kitab\u0131ndaki \u015fiirleri heceyle yazm\u0131\u015ft\u0131r.<\/li>\n<li>\u015e\u00e2irin dili sade ve ak\u0131c\u0131d\u0131r. S\u00f6z sanatlar\u0131n\u0131 kullanarak g\u00fc\u00e7l\u00fc bir \u00fcslup olu\u015fturmu\u015ftur.<\/li>\n<li>Mill\u00ee m\u00fccadelenin zaferle sonu\u00e7lanmas\u0131ndan sonra Anadolu insan\u0131, co\u011frafyas\u0131, tarihi ve ya\u015fam\u0131 yeniden ke\u015ffedilirken Faruk Nafiz \u00e2deta Anadolu\u2019nun sesi olmu\u015ftur. Anadolu\u2019nun \u00e7e\u015fitli yerlerinde edebiyat \u00f6\u011fretmenli\u011fi yapan \u015fair Anadolu ger\u00e7eklerini g\u00f6zlemleme \u015fans\u0131 bulmu\u015f, bu g\u00f6zlemlerini \u015fiirlerine aktarm\u0131\u015ft\u0131r.<\/li>\n<li>Han Duvarlar\u0131 \u015fiirinde \u015f\u00e2ir Anadolu ve Anadolu insan\u0131n\u0131 ger\u00e7ek\u00e7i \u00e7izgilerle anlatm\u0131\u015ft\u0131r. \u00c7oban \u00c7e\u015fmesi ve Akarsu \u015fiirlerinde Anadolu insan\u0131n\u0131 ve topra\u011f\u0131n\u0131 pastoral bir anlat\u0131mla dile getirmi\u015ftir.<\/li>\n<li>Sanat adl\u0131 \u015fiirinde hem kendi sanat anlay\u0131\u015f\u0131n\u0131 hem de \u2018\u2019memleket edebiyat\u0131\u2019\u2019n\u0131n temel felsefi yakla\u015f\u0131m\u0131n\u0131 ortaya koymu\u015ftur. Bu \u015fiirde yerli ve yabanc\u0131 kaynaklar aras\u0131nda k\u0131yaslamalar yapan \u015f\u00e2ir, yerli kaynaklar\u0131 g\u00f6rmezden gelenleri ele\u015ftirmi\u015ftir. As\u0131l beslenme kayna\u011f\u0131 olarak Anadolu\u2019yu g\u00f6stermi\u015ftir.<\/li>\n<li>Beh\u00e7et Kemal \u00c7a\u011flar ile birlikte Cumhuriyet\u2019in onuncu kurulu\u015fu nedeniyle (1933) \u2018\u2019Onuncu Y\u0131l Mar\u015f\u0131\u2019\u2019n\u0131 yazm\u0131\u015ft\u0131r.<\/li>\n<li>27 May\u0131s 1960 Darbesi\u2019nde hapse at\u0131lan \u015fair hapishane duygular\u0131n\u0131 \u2018\u2019Zindan Duvarlar\u0131\u2019\u2019 adl\u0131 \u015fiirinde dile getirmi\u015ftir.<\/li>\n<li>\u015e\u00e2ir roman ve tiyatro t\u00fcr\u00fcnde de eserler vermi\u015ftir.<\/li>\n<\/ul>\n<p><strong>\u00a0 ESERLER\u0130<\/strong><\/p>\n<p><strong>\u015e\u0130\u0130R :<\/strong> Dinle Neyden, G\u00f6n\u00fclden G\u00f6n\u00fcle, \u00c7oban \u00c7e\u015fmesi, Han Duvarlar\u0131, Zindan Duvarlar\u0131, Bir \u00d6m\u00fcr B\u00f6yle Ge\u00e7ti, Akarsu, Ak\u0131nc\u0131 T\u00fcrk\u00fcleri, Tatl\u0131 Sert<\/p>\n<p><strong>T\u0130YATRO :<\/strong> Canavar, \u00d6zyurt, Ak\u0131n, Yayla Kartal\u0131, Kahraman<\/p>\n<p><strong>ROMAN : <\/strong>Y\u0131ld\u0131z Ya\u011fmuru<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"330\"><strong> HAN DUVARLARI<\/strong><\/p>\n<p>Ya\u011f\u0131z atlar ki\u015fnedi, me\u015fin k\u0131rba\u00e7 \u015faklad\u0131,<\/p>\n<p>Bir dakika araba yerinde duraklad\u0131.<\/p>\n<p>Neden sonra sars\u0131ld\u0131 alt\u0131mda demir yaylar,<\/p>\n<p>G\u00f6zlerimin \u00f6n\u00fcnden ge\u00e7ti kervansaraylar&#8230;<\/p>\n<p>Gidiyordum, gurbeti g\u00f6nl\u00fcmle duya duya,<\/p>\n<p>Uluk\u0131\u015fla yolundan Orta Anadolu&#8217;ya.<\/p>\n<p>\u0130lk sevgiye benzeyen ilk ac\u0131, ilk ayr\u0131l\u0131k!<\/p>\n<p>Y\u00fcre\u011fimin yakt\u0131\u011f\u0131 ate\u015fle hava \u0131l\u0131k,<\/p>\n<p>G\u00f6k sar\u0131, toprak sar\u0131, \u00e7\u0131plak a\u011fa\u00e7lar sar\u0131&#8230;<\/p>\n<p>Arkada zincirlenen y\u00fcksek Toros Da\u011flar\u0131,<\/p>\n<p>\u00d6nde uzun bir k\u0131\u015f\u0131n soldurdu\u011fu etekler,<\/p>\n<p>Sonra d\u00f6nen, d\u00f6nerken inleyen tekerlekler&#8230;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"color: #ff0000;\"><strong>EN\u0130S BEH\u0130\u00c7 KORY\u00dcREK (1892 \u2013 1944)<\/strong><\/span><\/p>\n<ul>\n<li>\u0130stanbul\u2019da do\u011fan \u015f\u00e2ir memurluk ve edebiyat \u00f6\u011fretmenli\u011fi yapm\u0131\u015ft\u0131r.<\/li>\n<li>\u0130lk \u015fiirlerini aruzla yazan \u015f\u00e2irin \u015fiirleri Servetif\u00fcnun etkisindedir.<\/li>\n<li>\u015e\u00e2ir Ziya G\u00f6kalp\u2019in etkisiyle hece veznini kullanmaya ba\u015flam\u0131\u015ft\u0131r.<\/li>\n<li>Hece \u00f6l\u00e7\u00fcs\u00fcn\u00fcn kal\u0131plar\u0131nda de\u011fi\u015fiklikler ile serbest \u00f6l\u00e7\u00fcye ge\u00e7i\u015f denemeleri yapsa da bunda pek ba\u015far\u0131l\u0131 olamam\u0131\u015ft\u0131r. Heceyle yaz\u0131\u011f\u0131 \u015fiirlerinde de\u011fi\u015fik hece kal\u0131plar\u0131n\u0131 kullanarak farkl\u0131 anlat\u0131m olanaklar\u0131 aram\u0131\u015ft\u0131r.<\/li>\n<li>Hece ile yazd\u0131\u011f\u0131 <u>ilk \u015fiirlerinde<\/u> a\u015fk duygular\u0131na yer vermekle beraber, daha sonra Kurtulu\u015f Sava\u015f\u0131 y\u0131llar\u0131nda mill\u00ee duygular\u0131 ve tarihi kahramanl\u0131klar\u0131 anlatan heyecan y\u00fckl\u00fc epik \u015fiirler yazm\u0131\u015ft\u0131r.<\/li>\n<li>Konular\u0131n\u0131 deniz sava\u015flar\u0131ndan eski korsan hik\u00e2yelerinden alan manzumeler yazm\u0131\u015ft\u0131r.<\/li>\n<li>T\u00fcrk denizcilerini anlatt\u0131\u011f\u0131 \u2018\u2019Gemiciler\u2019\u2019 \u015fiiri \u00fcnl\u00fcd\u00fcr.<\/li>\n<li>1946\u2019dan sonra yeniden aruza d\u00f6nerek tasavvuf ekseninde divan \u015fiiri gelene\u011fine uygun \u015fiirler yazm\u0131\u015ft\u0131r. Bu tarz \u015fiirlerini \u2018\u2019Varidat-\u0131 S\u00fcleyman \u00c7elebi\u2019\u2019 adl\u0131 kitab\u0131nda toplam\u0131\u015ft\u0131r.<\/li>\n<\/ul>\n<p><strong>ESERLER\u0130<\/strong><\/p>\n<p><strong>\u015e\u0130\u0130R : <\/strong>Miras, Varidat-\u0131 S\u00fcleyman \u00c7elebi, G\u00fcne\u015fin \u00d6l\u00fcm\u00fc<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"296\"><strong>GEM\u0130C\u0130LER<\/strong><\/p>\n<p>Biz dalgalar, f\u0131rt\u0131nalar kahraman\u0131 yi\u011fitleriz.<\/p>\n<p>Ufuklardan ufuklara haber sorar, gezeriz.<\/p>\n<p>G\u00fcne\u015flerde uyuklayan yama\u00e7lar\u0131,<\/p>\n<p>Kalbi durgun tarlalar\u0131 b\u0131rakt\u0131k.<\/p>\n<p>G\u00f6lge veren a\u011fa\u00e7lar\u0131<\/p>\n<p>Sevmiyoruz biz art\u0131k.<\/p>\n<p>Sevgilimiz,<\/p>\n<p>Ey deniz!<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>HAL\u0130T FAHR\u0130 OZANSOY (1891-1971)<\/strong><\/p>\n<ul>\n<li>\u0130stanbul\u2019da do\u011fan \u015f\u00e2ir edebiyat \u00f6\u011fretmenli\u011fi yapm\u0131\u015f, Terc\u00fcman gazetesinde tiyatro ele\u015ftirisi ve edebiyat \u00fczerine yaz\u0131lar kaleme alm\u0131\u015ft\u0131r.<\/li>\n<li>Aruz \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131\u011f\u0131 \u2018\u2019Bayku\u015f\u2019\u2019 adl\u0131 \u015fiirle ad\u0131n\u0131 duyurmu\u015ftur.<\/li>\n<li>\u015eiire aruzla ba\u015flayan \u015f\u00e2ir \u2018\u2019Aruza Veda\u2019\u2019 adl\u0131 \u015fiiriyle aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc b\u0131rak\u0131p hece \u00f6l\u00e7\u00fcs\u00fcne <u>ge\u00e7mi\u015ftir.<\/u><\/li>\n<li>Hece \u00f6l\u00e7\u00fcs\u00fcne ge\u00e7mesinde Ziya G\u00f6kalp\u2019in etkisi b\u00fcy\u00fckt\u00fcr.<\/li>\n<li>\u2018\u2019Cenk Duygular\u0131\u2019\u2019 adl\u0131 \u015fiir kitab\u0131nda sava\u015f y\u0131llar\u0131na ait duygular\u0131n\u0131 dile getirmi\u015ftir.<\/li>\n<li>\u2018\u2019Efsaneler\u2019\u2019 adl\u0131 \u015fiir kitab\u0131nda Do\u011fu mitolojisine y\u00f6nelik \u00f6\u011feleri anlatm\u0131\u015ft\u0131r.<\/li>\n<li>\u015eiirlerinde egzotik sahnelere, h\u00fcz\u00fcn ve melankoli gibi bireysel duygular\u0131na, a\u015fk, kad\u0131n ve \u00f6l\u00fcm temalar\u0131na yer vermi\u015ftir.<\/li>\n<li>\u015e\u00e2ir \u015fiir yan\u0131nda roman ve tiyatro t\u00fcr\u00fcnde de eserler vermi\u015ftir.<\/li>\n<li>\u2018\u2019Bayku\u015f\u2019\u2019 adl\u0131 oyununda Anadolu\u2019ya e\u011filmi\u015f, \u2018\u2019S\u00f6nen Kandiller\u2019\u2019 adl\u0131 eserinde \u0130stanbul Bostanc\u0131\u2019da ge\u00e7en olaylar\u0131 ele alm\u0131\u015ft\u0131r.<\/li>\n<li>An\u0131 t\u00fcr\u00fcndeki Edebiyat\u00e7\u0131lar Ge\u00e7iyor (1939) adl\u0131 eseri \u00f6nemlidir.<\/li>\n<\/ul>\n<p><strong>ESERLER\u0130<\/strong><\/p>\n<p><strong>\u015e\u0130\u0130R :<\/strong> R\u00fcya, Cenk Duygular\u0131, Efsaneler, Balkonda Saatler, Zakkum, Bulutlara Yak\u0131n, G\u00fclistanlar ve Harabeler, Paravan, Sulara Dalan G\u00f6zler, Hep Onun \u0130\u00e7in, Sonsuz Gecelerin \u00d6tesinde<\/p>\n<p><strong>ROMAN :<\/strong> Sulara Giden K\u00f6pr\u00fc, \u00c2\u015f\u0131klar Yolunun Yolcular\u0131<\/p>\n<p><strong>T\u0130YATRO:<\/strong> Bayku\u015f, S\u00f6nen Kandiller, \u0130lk \u015e\u00e2ir, 10 Y\u0131l\u0131n Destan\u0131, Nedim, Hayalet, Bir Dolapt\u0131r D\u00f6n\u00fcyor, \u0130ki Yanda<\/p>\n<p><strong>ANI :<\/strong> Edebiyat\u00e7\u0131lar Ge\u00e7iyor, Eski \u0130stanbul Ramazanlar\u0131, Dar\u00fclbedayi Devrinin Eski G\u00fcnleri<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"290\"><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ARUZA VEDA<\/strong><\/p>\n<p>\u0130lk hasretiyle gen\u00e7li\u011fimin ilk elemleri<br \/>\nEy pasl\u0131 tellerinde g\u00fclen, a\u011flayan aruz<br \/>\nEy eski dost y\u00e2d edelim eski demleri<br \/>\nMadem ki son sad\u00e2n\u0131 da\u011f\u0131tm\u0131\u015f, yorulmu\u015fuz!<\/p>\n<p>Anlat alevli bir \u00e7\u00f6l\u00fcn \u00fcst\u00fcnde ans\u0131z\u0131n<br \/>\nBillur sesinle h\u0131\u00e7k\u0131rarak do\u011fdu\u011fun g\u00fcn\u00fc.<br \/>\nBinbir diyarda binbir ilahi g\u00fczel k\u0131z\u0131n<br \/>\nAnlat nas\u0131l terenn\u00fcm\u00fcn inletti g\u00f6nl\u00fcn\u00fc.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"color: #ff0000;\"><strong>ORHAN SEYF\u0130 ORHON (1890-1972)<\/strong><\/span><\/p>\n<ul>\n<li>\u0130stanbul\u2019da do\u011fan \u015f\u00e2ir gazetecilik, \u00f6\u011fretmenlik, milletvekilli\u011fi yapm\u0131\u015ft\u0131r.<\/li>\n<li>Ba\u015flang\u0131\u00e7ta aruzla yazan \u015f\u00e2ir daha sonra hece \u00f6l\u00e7\u00fcs\u00fcyle \u015fiirler yazm\u0131\u015ft\u0131r.<\/li>\n<li>\u00dcnl\u00fc \u2018F\u0131rt\u0131na ve Kar\u2019 adl\u0131 uzun manzumesini aruzla yazm\u0131\u015ft\u0131r.<\/li>\n<li>Hece \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131\u011f\u0131 \u2018Peri K\u0131z\u0131 ile \u00c7oban Hik\u00e2yesi\u2019 \u015fiir kitab\u0131, T\u00fcrk\u00e7eyi ba\u015far\u0131yla kulland\u0131\u011f\u0131 manzum bir masald\u0131r.<\/li>\n<li>\u00d6zellikle a\u015fk konusunu i\u015flemi\u015f, yurt sevgisi ve \u00f6zlemini dile getiren romantik \u015fiirler yazm\u0131\u015ft\u0131r.<\/li>\n<li><a href=\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/divan_edebiyati.htm\">Divan \u015fiiri<\/a> kal\u0131plar\u0131n\u0131 hece \u00f6l\u00e7\u00fcs\u00fcne uydurarak gazel benzeri \u015fiirler yazm\u0131\u015ft\u0131r.<\/li>\n<li>\u2018\u2019Veda\u2019\u2019 ve \u2018\u2019Diyorlar\u2019\u2019 gibi bir\u00e7ok \u015fiiri bestelenmi\u015ftir.<\/li>\n<li>Papa\u011fan, \u00c7\u0131naralt\u0131, Edebiyat gazetesi gibi mizahi dergi ve gazeteler \u00e7\u0131karm\u0131\u015f burada Fiske imzas\u0131n\u0131 kullanm\u0131\u015ft\u0131r.<\/li>\n<\/ul>\n<p><strong>ESERLER\u0130<\/strong><\/p>\n<p><strong>\u015e\u0130\u0130R :<\/strong> F\u0131rt\u0131na ve Kar, Peri K\u0131z\u0131 ile \u00c7oban Hik\u00e2yesi, Kervan, G\u00f6n\u00fclden Sesler, O Beyaz Bir Ku\u015ftu, \u0130\u015fte Sevdi\u011fim D\u00fcnya, \u0130stanbul\u2019un Fethi<\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"236\">\u00c7ok eski zamanda,<br \/>\n&#8211; O\u011fuz Han H\u00fck\u00fcmdarm\u0131\u015f. &#8211;<br \/>\n\u0130\u015fitmi\u015ftim Turan&#8217;da<br \/>\nBir peri k\u0131z\u0131 varm\u0131\u015f. Bu nazl\u0131 peri k\u0131z\u0131,<br \/>\nBu g\u00fczellik y\u0131ld\u0131z\u0131,<br \/>\nHer g\u00f6n\u00fclde bir s\u0131z\u0131<br \/>\nB\u0131rakarak ya\u015farm\u0131\u015f.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>ROMAN :<\/strong> \u00c7ocuk Adam<\/p>\n<p><strong>H\u0130K\u00c2YE :<\/strong> D\u00fc\u011f\u00fcn Gecesi<\/p>\n<p><strong>G\u00dcLMECE DESTAN :<\/strong> Asr\u00ee Kerem<\/p>\n<p><strong>MAKALE :<\/strong> D\u00fcn-Bug\u00fcn-Yar\u0131n<\/p>\n<p><strong>FIKRA :<\/strong> Kulaktan Kula\u011fa<\/p>\n<p><strong><span style=\"color: #ff0000;\">YUSUF Z\u0130YA ORTA\u00c7 (1896-1967)<\/span><\/strong><\/p>\n<ul>\n<li>\u0130stanbul\u2019da do\u011fan \u015f\u00e2ir, \u00f6\u011fretmenlik ve milletvekilli\u011fi yapm\u0131\u015ft\u0131r.<\/li>\n<li><a href=\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/aruz_vezni.htm\">Aruz<\/a>la \u015fiire ba\u015flayan \u015f\u00e2ir <a href=\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/ziya_gokalp.htm\">Ziya G\u00f6kalp<\/a>\u2019in etkisiyle hece \u00f6l\u00e7\u00fcs\u00fcne y\u00f6nelmi\u015ftir.<\/li>\n<li>\u015e\u00e2ir <a href=\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/orhan_seyfi_orhon.htm\">Orhan Seyfi Orhon<\/a> ile \u2018\u2019Akbaba\u2019\u2019 adl\u0131 mizahi dergiyi \u00e7\u0131karm\u0131\u015ft\u0131r. Ayr\u0131ca \u2018\u2019\u00c7\u0131naralt\u0131\u2019\u2019dergisini T\u00fcrk bas\u0131n\u0131na kazand\u0131rm\u0131\u015ft\u0131r.<\/li>\n<li>\u015eiirlerinde g\u00fcnl\u00fck hayat\u0131n \u00e7e\u015fitli g\u00f6r\u00fcn\u00fcmlerini sade bir dille i\u015flemi\u015ftir.<\/li>\n<li>\u015eiirlerinde a\u015fk, ayr\u0131l\u0131k, tabiat, \u00f6l\u00fcm, tabiat, vatan, millet, kahramanl\u0131k gibi temalar\u0131 i\u015flemi\u015ftir.<\/li>\n<li>Kahramanl\u0131k \u015fiirlerini \u2018\u2019Ak\u0131ndan Ak\u0131na\u2019\u2019 ve \u2018\u2019Cenk Ufuklar\u0131\u2019\u2019 Kitaplar\u0131nda toplam\u0131\u015ft\u0131r.<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/siirler.htm\">\u015eiir<\/a>lerinde \u2018\u2019\u00c7imdik\u2019\u2019 \u2018\u2019\u0130zci\u2019\u2019 mahlas\u0131n\u0131 kullanm\u0131\u015ft\u0131r.<\/li>\n<li>Binnaz adl\u0131 oyunu T\u00fcrk tiyatrosunun en ba\u015far\u0131l\u0131 manzum piyeslerinden biridir.<\/li>\n<li>\u2018\u2019Portreler\u2019\u2019 adl\u0131 an\u0131-biyografi tarz\u0131ndaki eseri \u00f6nemlidir.<\/li>\n<\/ul>\n<p><strong>\u00a0\u00a0ESERLER\u0130<\/strong><\/p>\n<p><strong>\u015e\u0130\u0130R :<\/strong> Ak\u0131ndan Ak\u0131na, Cenk Ufuklar\u0131, Bir R\u00fczgar Esti, Yanarda\u011f, \u00c2\u015f\u0131klar Yolu, Ku\u015f C\u0131v\u0131lt\u0131lar\u0131 (\u00c7ocuk \u015fiirleri)<\/p>\n<p><strong>ROMAN : <\/strong>G\u00f6\u00e7, \u015eeker Osman, K\u00fcrk\u00e7\u00fc D\u00fckkan\u0131, \u00dc\u00e7 katl\u0131 Ev<\/p>\n<p><strong>T\u0130YATRO : <\/strong>Binnaz, Nikahta Keramet, K\u00f6rd\u00fc\u011f\u00fcm<\/p>\n<p><strong>GEZ\u0130 YAZISI :<\/strong> G\u00f6z Ucuyla Avrupa<\/p>\n<p><strong>\u0130NCELEME :<\/strong> <a href=\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/ahmet_hasim.htm\">Ahmet Ha\u015fim<\/a>, Seyrani, Faruk Nafiz<\/p>\n<p><strong>BE\u015e HECEC\u0130LER \u0130LE \u0130LG\u0130L\u0130 \u00c7IKMI\u015e SORULAR<\/strong><\/p>\n<p><strong>1.<\/strong>1926 y\u0131l\u0131nda Hayat dergisinde yay\u0131mlanan Sanat ba\u015fl\u0131kl\u0131 \u015fiir, memleket\u00e7i edebiyat\u0131m\u0131z\u0131n ilk bildirisi say\u0131labilir. T\u00fcrk edebiyat\u0131n\u0131n o d\u00f6nemde nas\u0131l bir rota izlemesi gerekti\u011fini ortaya koyan bu \u015fiir, \u2014- \u201cbireysel\u201d sanat anlay\u0131\u015f\u0131ndan \u201ctoplumcu\u201d sanat anlay\u0131\u015f\u0131na ge\u00e7ti\u011finin de bir g\u00f6stergesidir.<\/p>\n<p><strong>Bu metinde bo\u015f b\u0131rak\u0131lan yere hangisi getirilmelidir?\u00a0(LYS 2017)<\/strong><\/p>\n<p>A) Enis Behi\u00e7 Kory\u00fcrek B) Orhan Seyfi Orhon <strong><span style=\"color: #ff0000;\">C) Faruk Nafiz \u00c7aml\u0131bel<\/span><\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 D) Yusuf Ziya Orta\u00e7 E) Halit Fahri Ozansoy<\/p>\n<p><strong>2.<\/strong> Be\u015f Hececiler aras\u0131nda mill\u00ee kaynaklara y\u00f6neli\u015f ve \u015fiirin ilkelerine uyma bak\u0131m\u0131ndan\u2026\u2026&#8230;en ba\u015far\u0131l\u0131 sanat\u00e7\u0131d\u0131r. \u2019\u2019Memleket Edebiyat\u0131\u2019\u2019 ad\u0131 verilen ve Anadolu insan\u0131n\u0131n hayat\u0131n\u0131 yans\u0131tmay\u0131 ama\u00e7layan hareketin \u015fiirdeki \u00f6nemli temsilcilerindendir. \u00c7oban \u00c7e\u015fmesi adl\u0131 \u015fiir kitab\u0131nda bu y\u00f6nelimin \u00f6rnekleri vard\u0131r.<\/p>\n<p><strong>Bu par\u00e7ada bo\u015f b\u0131rak\u0131lan yere a\u015fa\u011f\u0131daki \u015f\u00e2irlerden hangisi getirilmelidir? (LYS 2012)<\/strong><\/p>\n<p>A) Yusuf Ziya Orta\u00e7 <strong><span style=\"color: #ff0000;\">B) Faruk Nafiz \u00c7aml\u0131bel<\/span> <\/strong>C) Orhan Seyfi Orhon\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0D) Halit Fahri Ozansoy E) Enis Behi\u00e7 Kory\u00fcrek<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><strong>T\u00fcrk Dili ve Edebiyat\u0131 \u00d6\u011fretmeni<\/strong><\/p>\n<p style=\"text-align: right;\"><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Emrah UYSAL<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BE\u015e HECEC\u0130LER (HECEN\u0130N BE\u015e \u015eA\u0130R\u0130)\u00a0(1914) \u00a0 \u00a0\u00a0\u00a0BE\u015e HECEC\u0130LER\u0130N \u00d6ZELL\u0130KLER\u0130 1914 y\u0131l\u0131nda olu\u015fan topluluk ilk \u015fiirlerini aruzla olu\u015fturmu\u015ftur. Mill\u00ee edebiyat ak\u0131m\u0131ndan etkilenen topluluk \u00f6zellikle Ziya G\u00f6kalp\u2019in [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-115","post","type-post","status-publish","format-standard","hentry","category-genel"],"_links":{"self":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":0,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/posts\/115\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/media?parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/categories?post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/wp-json\/wp\/v2\/tags?post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}