{"id":194,"date":"2013-02-20T02:17:08","date_gmt":"2013-02-20T00:17:08","guid":{"rendered":"http:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/?p=194"},"modified":"2013-02-20T02:18:09","modified_gmt":"2013-02-20T00:18:09","slug":"tanzimat_edebiyatinda_tiyatro","status":"publish","type":"post","link":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/edebiyat\/tanzimat_edebiyatinda_tiyatro.htm","title":{"rendered":"Tanzimat Edebiyat\u0131nda Tiyatro"},"content":{"rendered":"

A\u015fa\u011f\u0131da dosyan\u0131n bir k\u0131sm\u0131 verilmi\u015ftir.<\/strong><\/span><\/p>\n

Tanzimat\u2019 \u0131n ilan\u0131 ile tiyatro da geli\u015fmeye ba\u015flam\u0131\u015ft\u0131r.
\nTanzimat d\u00f6neminde verilen bat\u0131 etkisindeki ilk eser \u015einasi\u2019nin yazd\u0131\u011f\u0131 \u015eA\u0130R EVLENMES\u0130 adl\u0131 komedidir.(\u015eair Evlenmesi\u2019nin ilk yap\u0131t kabul edilip benimsenmesinden sonra 1801\u2019de yaz\u0131lan \u0130skerle\u00e7 adl\u0131 bir yazara ait olan \u201cPapuc\u00e7u Ahmet\u2019in Garip Vakalar\u0131 ve Serg\u00fcze\u015ftleri\u201d adl\u0131 yap\u0131t daha bulunmu\u015ftur.. Yap\u0131t 1956 y\u0131l\u0131nda Fahir \u0130z taraf\u0131ndan bulunmu\u015ftur.)
\nT\u00fcrk edebiyat\u0131nda Bat\u0131 oyunlar\u0131 yolunda yaz\u0131lm\u0131\u015f oyunlar iki \u00e7izgi aras\u0131nda y\u00fcr\u00fcm\u00fc\u015ft\u00fcr.
\na)Komedya \u00e7izgisi<\/strong>
\n b)Dram \u00e7izgis<\/strong>i<\/p>\n

Komedya yazarlar\u0131 MOL\u0130ERE yolunda y\u00fcr\u00fcm\u00fc\u015fler, zaman zaman da geleneksel oyunlar\u0131m\u0131zdan da yararlanm\u0131\u015flard\u0131r.<\/p>\n

TANZ\u0130MAT D\u00d6NEM\u0130\u2019NDE T\u0130YATRO T\u00dcR\u00dcNDE YAPIT VEREN SANAT\u00c7ILARIMIZ:<\/span>
\n*\u015e\u0130NAS\u0130<\/a>
\n*NAMIK KEMAL
\n*TEODOR KASAP
\n*\u00c2L\u0130 BEY
\n*AHMET VEF\u0130K PA\u015eA<\/a> (\u00f6zellikle Moliere\u2019den \u00e7eviriler ve uyarlamalar yapm\u0131\u015ft\u0131r)
\n*ABD\u00dcLHAK HAM\u0130T TARHAN<\/a> (Bireyin d\u00fcnyas\u0131n\u0131 ortaya \u00e7\u0131kararak, a\u011f\u0131r bir dille ve sahne tekni\u011fine \u00f6nem vermeden yazm\u0131\u015ft\u0131r. Oyunlar\u0131n\u0131 oynanmak i\u00e7in de\u011fil, okunmak i\u00e7in yazm\u0131\u015ft\u0131r.)
\n*RECA\u0130ZADE MAHMUT EKREM<\/a><\/p>\n

TANZ\u0130MAT T\u0130YATROSU<\/a> HANG\u0130 A\u00c7ILARDAN BA\u015eARILI DE\u011e\u0130LD\u0130?<\/span>
\nKomedilerde Moliere<\/a>\u2019nin etkileri geni\u015ftir.
\nBu sanat\u00e7\u0131lar gerek dil gerekse oyun tekni\u011fi bak\u0131m\u0131ndan ba\u015far\u0131ya ula\u015fMAm\u0131\u015flard\u0131r.<\/p>\n

\u2026
\nDram yazarlar\u0131m\u0131z, romantizmin etkisiyle a\u015f\u0131r\u0131 duygusall\u0131\u011fa kap\u0131lma, konu\u015fma dilinden uzakla\u015fma, olay \u00f6rg\u00fcs\u00fcnde oyun tekni\u011fine \u00f6nem vermeme ; konu, vaka ve s\u00f6zlerde yer alan Hugo, Shakespeare, ..oyunlar\u0131ndan geni\u015f \u00f6l\u00e7\u00fcde etkilenme hatta al\u0131nt\u0131lar yapma y\u00fcz\u00fcnden ba\u015far\u0131ya ula\u015famam\u0131\u015flard\u0131r.
\n*Tanzimat tiyatrosu toplumun e\u011fitilmesi amac\u0131n\u0131 g\u00fcder. \u201cTiyatro millete verilmek istenen mesajlar\u0131n en dinamik arac\u0131d\u0131r.\u201d(NAMIK KEMAL)
\n*KONULAR<\/strong>: Tarihten, d\u0131\u015f \u00fclkelerden, bireysel olaylardan al\u0131n\u0131r. Gelenekler, g\u00f6renekler, vatan, millet, yurtseverlik konular\u0131 i\u015flenir.<\/p>\n

YUKARIDAK\u0130 DOK\u00dcMANLARIN DEVAMINI A\u015eA\u011eIDAK\u0130 BA\u011eLANTIYI TIKLAYARAK \u0130ND\u0130REB\u0130L\u0130RS\u0130N\u0130Z.<\/strong><\/p>\n

Tanzimat Edebiyat\u0131nda Tiyatro<\/span><\/a>\u00a0<\/strong><\/span><\/h2>\n

Seval KAYA S\u00d6NMEZ<\/strong><\/span><\/p>\n

Yeterli\u00a0 Gelmedi mi Hi\u00e7 Sorun De\u011fil,\u00a0 A\u015fa\u011f\u0131daki Sayfam\u0131z\u0131 da Ziyaret Edin :))<\/strong><\/span><\/p>\n