![\"\"](\"http:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-content\/uploads\/2011\/11\/CVV.png\")
<\/a><\/p>\nKonuyla \u0130lgili \u00d6rnekler:<\/strong><\/span><\/p>\n * “Ge\u00e7ti\u011fim Yol<\/strong>” Ali Canip Y\u00f6ntem<\/strong>‘e aittir. Bu eserin bu sanat\u00e7\u0131ya ait oldu\u011funu \u015fu \u015fekilde akl\u0131m\u0131zda tutabiliriz.<\/p>\n “Y\u00f6ntem”<\/strong>in e\u015f anlaml\u0131s\u0131 “yol<\/strong>” dur. \u00a0(Bunun bir yolu (y\u00f6ntemi) olmal\u0131). “Ge\u00e7ti\u011fim Yol”<\/strong> soruldu\u011funda yolun e\u015f anlaml\u0131s\u0131 (y\u00f6ntem) akla gelmeli, y\u00f6ntemden de Ali Canip Y\u00f6ntem<\/strong> akla gelmeli.<\/p>\n * “Karartma Geceleri” , “R\u0131fat Ilgaz”<\/strong>a aittir. Yazar\u0131n soyad\u0131ndaki “gaz”<\/strong> s\u00f6zc\u00fc\u011f\u00fcne dikkat edelim. “Karartma Geceleri”<\/strong>ni gaz<\/strong> lambas\u0131yla ayd\u0131nlatt\u0131\u011f\u0131n\u0131z\u0131 hayal edin.<\/p>\n *Y\u00fcz temel eser<\/a>den biri olan “Bo\u011fazi\u00e7i Mehtaplar\u0131”, “Abdulhak \u015einasi Hisar”<\/strong>a aittir. Bu eseri de ba\u015fka yazarlar\u0131n eserleriyle kar\u0131\u015ft\u0131rmamak i\u00e7in sanat\u00e7\u0131n\u0131n soyad\u0131ndaki “Hisar”<\/strong> s\u00f6zc\u00fc\u011f\u00fcnden yararlanaca\u011f\u0131z. \u00a0Bo\u011fazi\u00e7i<\/strong>‘ndeki hisar\u0131<\/strong> bilmeyen yoktur san\u0131r\u0131m.\u00a0“Bo\u011fazi\u00e7i Mehtaplar\u0131<\/strong>” <\/strong>denince akl\u0131m\u0131za\u00a0 \u0130stanbul Bo\u011faz\u0131’ndaki hisar <\/strong>gelecek, hisar<\/strong>dan da\u00a0“Abdulhak \u015einasi Hisar<\/a>“<\/strong><\/strong> gelecek.<\/p>\n * Knut Hamsun<\/strong>‘un en \u00f6nemli eseri “A\u00e7l\u0131k<\/strong>“t\u0131r. Bu sanat\u00e7\u0131n\u0131n eserini de akl\u0131m\u0131zda tutmak i\u00e7in bir\u00a0hamster<\/strong>in a\u00e7l\u0131k \u00e7ekerek \u00f6ld\u00fc\u011f\u00fcn\u00fc hayal edin.<\/p>\n * Moliere<\/strong>‘nin en \u00f6nemli eseri Cimri<\/strong>‘dir. \u00a0Moliere<\/strong> o kadar cimri<\/strong> ki sadece mol yer<\/strong>.<\/p>\n * Ahmedi<\/strong>‘nin en \u00f6nemli eseri \u0130skendername<\/strong>‘dir. Ahmedi denince\u00a0ah mide<\/strong> akla gelmeli, yani midesine \u00e7ok d\u00fc\u015fk\u00fcn bir adam\u0131n iskenderi \u00e7ok sevdi\u011fini d\u00fc\u015f\u00fcn\u00fcn.<\/p>\n * “\u00c7il Horoz”<\/strong> adl\u0131 eser, Oktay Rifat Horozcu<\/strong>‘ya aittir. \u015eairin soyad\u0131ndan eserini an\u0131msamak \u00e7ok kolay olacak.<\/p>\n * \u015eevket Rado,<\/strong> radyo<\/strong> sohbetleriyle \u00fcnl\u00fcd\u00fcr. Soyad\u0131ndan bunu an\u0131msamak \u00e7oook kolay olacak :))<\/p>\n * Orhan Pamuk<\/strong>, Yazar\u0131n soyad\u0131na dikkat edelim. Pamuk beyazd\u0131r. Yazar\u0131n eserlerinde de renkler \u00f6n planda. Mesela “Beyaz Kale”<\/strong>, pamuk<\/strong> da “Kar”<\/strong> gibi beyazd\u0131r. Beyaz\u0131n<\/strong> z\u0131dd\u0131 karad\u0131r,<\/strong>\u00a0“Kara Kitap” . \u00a0Beyaz; <\/strong>safl\u0131\u011f\u0131n, masumiyetin<\/strong> simgesidir\u00a0“Masumiyet M\u00fczesi”. <\/strong>Renklerden bahsedip de k\u0131rm\u0131z\u0131da<\/strong>n bahsetmezsek olmaz; \u00e7\u00fcnk\u00fc “Benim Ad\u0131m K\u0131rm\u0131z\u0131”<\/strong> \ud83d\ude42<\/p>\n * “Suyu Arayan Adam”<\/strong> adl\u0131 eser \u015eevket S\u00fcreyya Aydemir<\/strong>‘e aittir. Bu eserin \u015eevket S\u00fcreyya Aydemir’e ait oldu\u011funu \u015fu \u015fekilde akl\u0131m\u0131zda tutaca\u011f\u0131z: \u00c7\u00f6lde suyu arayan bir adam<\/strong> hayal edin susuzluktan \u00f6lmek \u00f6zeredir ve Allah’a “Su Ver Ya”<\/strong> Allah’\u0131m, diye yalvar\u0131r. Suverya<\/strong> ile S\u00fcreyya<\/strong> aras\u0131ndaki benzerli\u011fe dikkat edelim.<\/p>\n \u00d6zet olarak “Suyu Arayan Adam<\/strong>” adl\u0131 eser soruldu\u011funda \u00e7\u00f6lde bir adam\u0131n\u00a0“Su Ver Ya”<\/strong> Allah’\u0131m demesi akl\u0131n\u0131za gelecek,\u00a0“Su Ver Ya”<\/strong> dan ise\u00a0 \u015eevket S\u00fcreyya<\/strong> akl\u0131n\u0131za gelecek.<\/p>\n Bu sayfa devam edecek. Takip edin l\u00fctfen.<\/p>\n Evett nerde kalm\u0131\u015ft\u0131k \ud83d\ude42<\/p>\n * Karag\u00f6z hacivat oyunundaki Ka<\/strong><\/span>rag\u00f6z ile Orta oyunundaki Ka<\/strong><\/span>vuklu karakter olarak birbirine benzer. Her ikisinin de isminin “Ka” <\/strong>ile ba\u015flad\u0131\u011f\u0131na dikkat edin.<\/span><\/span><\/p>\n * Ac\u0131km\u0131\u015f bir insan\u0131n durumu son derece trajedi<\/span><\/strong>ktir. Ac\u0131km\u0131\u015f<\/strong><\/span> bir insan\u0131n sofra<\/span><\/strong>da pide<\/strong><\/span> yemesini hayal edin. \u00d6yleyse trajedinin en \u00f6nemli 3 temsilcisini \u015fu \u015fekilde akl\u0131m\u0131zda tutabiliriz.\u00a0Ac\u0131km\u0131\u015f:\u00a0<\/strong>Aiskhylos ,\u00a0sofra:\u00a0<\/span><\/strong>Sophokles , pide:<\/strong><\/span>\u00a0Euripides<\/span><\/span><\/p>\n * Tekrir,<\/strong> tekrar<\/strong> <\/span>etme sanat\u0131d\u0131r: Tekrir ile tekrar aras\u0131ndaki benzerli\u011fe dikkat edin.<\/p>\n * Hoca<\/span> Dehhani ad\u0131n\u0131n aksine hep din d\u0131\u015f\u0131 konular<\/strong>da yazm\u0131\u015ft\u0131r. * T\u00fcrk’\u00fcn Ate\u015fle \u0130mtihANI<\/strong><\/span> an\u0131 t\u00fcr\u00fcnde t\u00fcr\u00fcnde bir eserdir.<\/p>\n *\u00a0“Hilal G\u00f6r\u00fcn\u00fcnce<\/strong>” adl\u0131 eser Sevin\u00e7 \u00c7okum<\/strong>‘a aittir. Peki sevin\u00e7, ne zaman \u00e7ok olur? Tabii ki\u00a0 Hilal G\u00f6r\u00fcn\u00fcnce \ud83d\ude42<\/p>\n Yusuf Kenan DURMU\u015eO\u011eLU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Haf\u0131za teknikleri daha \u00f6nceden pek \u00e7ok alanda kullan\u0131lmakta idi. Bu tekni\u011fin edebiyata uyarlanmas\u0131 hen\u00fcz \u00e7ok yenidir. S\u0131navda edebiyattan da sorular\u0131n gelmesi, \u00f6\u011frencilerin k\u0131sa zamanda \u00e7ok […]<\/p>\n","protected":false},"author":1,"featured_media":1022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40,4],"tags":[],"class_list":["post-107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-begenilen-sayfalarimiz","category-edebiyat-konu-anlatimi"],"_links":{"self":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":1,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts\/107\/revisions"}],"predecessor-version":[{"id":1023,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts\/107\/revisions\/1023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/media\/1022"}],"wp:attachment":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/media?parent=107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/categories?post=107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/tags?post=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n* G\u00fcl\u015fehri<\/strong>‘nin en \u00f6nemli eseri Mant\u0131kut Tayr<\/strong>‘d\u0131r. G\u00fcl mant\u0131s\u0131<\/strong> olarak kodlay\u0131nca unutulmuyor.
\n* Yahya Kemal<\/strong> aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc ba\u015far\u0131yla kullanm\u0131\u015ft\u0131r. Hececilere \u00e2deta “Ok<\/strong>” atar. Hece \u00f6l\u00e7\u00fcs\u00fcyle yazd\u0131\u011f\u0131 tek \u015fiire g\u00f6nderme yap\u0131yoruz.
\n* Gazelin son beytine makta<\/strong> diyoruz. Bunu da c\u00fcmle sonuna konan nokta<\/strong> ile kodluyoruz. Son dokunu\u015f \ud83d\ude42
\n* Geleneksel T\u00fcrk tiyatrosu mizahidir<\/strong>. KOM<\/span>iK<\/span><\/strong> diye kodluyoruz. Karag\u00f6z<\/strong>, orta oyunu<\/strong>, meddah<\/strong> ve k\u00f6y seyirlik oyunlar\u0131<\/strong>n\u0131n ba\u015f harflerini al\u0131yoruz.
\n* Tanzimat 2.d\u00f6nem<\/strong> halktan kopar<\/strong>. Adeta hepsi asilZADE<\/strong> \ud83d\ude42
\n(Nabizade, Sami Pa\u015fazade, Recaizade)
\n* Falih R\u0131fk\u0131 Ata<\/strong><\/span>y Atat\u00fcrk’\u00fcn yak\u0131n \u00e7evresini yazar<\/strong>. Soyad\u0131 da Ata<\/strong> s\u00f6z\u00fcn\u00fc i\u00e7erir.<\/p>\n