{"id":81,"date":"2011-11-05T17:24:35","date_gmt":"2011-11-05T17:24:35","guid":{"rendered":"http:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/?p=81"},"modified":"2011-11-06T19:49:57","modified_gmt":"2011-11-06T19:49:57","slug":"kibris-turk-edebiyati","status":"publish","type":"post","link":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/kibris-turk-edebiyati.html","title":{"rendered":"K\u0131br\u0131s T\u00fcrk Edebiyat\u0131"},"content":{"rendered":"

KIBRIS T\u00dcRK EDEB\u0130YATI DERS NOTLARI\u00a0<\/strong>\u015e\u0130\u0130R VE D\u00dcZYAZI (Kemal BA\u015e)\u00a0\u0130ND\u0130R<\/a><\/strong><\/p>\n

A\u015fa\u011f\u0131da dosya i\u00e7eri\u011finin bir b\u00f6l\u00fcm\u00fc mevcuttur. Be\u011fendiyseniz yukar\u0131daki \u0130ndir linkinden dosyan\u0131n tamam\u0131n\u0131 indirebilirsiniz.<\/strong><\/span><\/p>\n

<\/strong>KIBRIS T\u00dcRK \u015e\u0130\u0130R\u0130:<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eair tezkirelerinde K\u0131br\u0131s as\u0131ll\u0131 \u015fairler bak\u0131m\u0131ndan XVII. yy\u2019a kadar inilebiliyor.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s\u2019ta \u015fiirin ilk \u00f6rnekleri Divan Edebiyat\u0131 etkisinde verilmi\u015ftir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Lefko\u015fa\u2019da kurulan Mevlevi Tekkesi\u2019nin Divan \u015eiirinin geli\u015fmesinde etkisi b\u00fcy\u00fckt\u00fcr.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 XVII-XIX yy aras\u0131nda etkili olmu\u015f Divan \u015fiiri tarz\u0131nda eserler veren \u015fairlerin bir b\u00f6l\u00fcm\u00fc K\u0131br\u0131s do\u011fumlu olduklar\u0131 halde baz\u0131lar\u0131 da adaya g\u00f6revle gelmi\u015f ve eserlerini burada vermi\u015flerdir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Bu d\u00f6nemde etkili olmu\u015f hem divan hem de a\u015f\u0131k \u015fiiri<\/a> tarz\u0131nda \u00fcr\u00fcn vermesi bak\u0131m\u0131ndan A\u015f\u0131k Kenz\u00ee b\u00fcy\u00fck bir \u00f6neme sahiptir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s Edebiyat\u0131\u2019nda Divan \u015fiirinin en me\u015fhur temsilcisi K\u0131br\u0131s M\u00fcft\u00fcs\u00fc Hilmi Efendidir. D\u00f6nemin padi\u015fah\u0131 II. Mahmut taraf\u0131ndan \u015fairler sultan\u0131 \u00fcnvan\u0131n\u0131 alm\u0131\u015ft\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1878 y\u0131l\u0131nda Rusya-Osmanl\u0131 aras\u0131nda yap\u0131lan 93 harbi olarak da bilinen sava\u015fa kat\u0131lm\u0131\u015f, esir d\u00fc\u015fm\u00fc\u015f K\u0131br\u0131sl\u0131 Mehmet Dervi\u015f Efendi\u2019nin yazd\u0131\u011f\u0131 44 k\u0131tal\u0131k destan sava\u015f\u0131n kaybedilmesinde y\u00f6neticilerin su\u00e7land\u0131\u011f\u0131 ve sorumlu tutuldu\u011fu \u00f6nemli bir manzum eserdir. (Bu sava\u015f sonras\u0131nda ada \u0130ngilizlere kiralan\u0131r.)<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1990\u2019l\u0131 y\u0131llardan itibaren edebiyat\u0131n geni\u015f kitlelere ula\u015fmas\u0131nda gazete ve dergiler etkin bir rol \u00fcslenmi\u015flerdir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Kaynaklarda \u2018Saded\u2019 ad\u0131yla ge\u00e7en 16 say\u0131 yay\u0131mland\u0131\u011f\u0131 belirtilen fakat elde mevcut bir say\u0131s\u0131 bulunmayan gazete say\u0131lmazsa ilk gazete 1891 y\u0131l\u0131nda yay\u0131mlanan \u2018Zaman\u2019 d\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Kokonoz\u2019 (1896) ve \u2018Akbaba\u2019(1897) mizah ve yerginin ilk ve en g\u00fczel \u00f6rneklerinin verildi\u011fi gazetelerdir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Bu d\u00f6nemin gazete ve dergilerinde \u015fiirleri yay\u0131mlanan Kaytazzade Naz\u0131m ve Ahmet Tevfik Efendi\u00a0 \u00f6n plana \u00e7\u0131kmaktad\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Ahmet Tevfik Efendi\u2019nin 1897 Osmanl\u0131-Yunan sava\u015f\u0131n\u0131 konu alan 99 k\u0131tal\u0131k destan<\/a>\u0131 b\u00fcy\u00fck bir \u00f6neme sahiptir. (Bu destan\u0131yla A.Tevfik Efendi\u2019nin Osmanl\u0131 topraklar\u0131na girmesi yasaklan\u0131r, hakk\u0131nda \u00f6l\u00fcm ferman\u0131 \u00e7\u0131kar\u0131l\u0131r.)<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s\u2019a mutasarr\u0131f olarak g\u00f6nderilen Tanzimat D\u00f6nemi T\u00fcrk edebiyat\u0131<\/a>\u2019n\u0131n \u00f6nemli isimlerinden Ziya Pa\u015fa<\/a> ve s\u00fcrg\u00fcne g\u00f6nderien Nam\u0131k Kemal\u2019in K\u0131br\u0131s T\u00fcrk \u015eiiri\u2019ne tesiri yads\u0131namaz.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Kaytazzade Naz\u0131m, Nam\u0131k Kemal<\/a> tesirinde esreler veren \u015fairlerimizdendir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s T\u00fcrk \u015eiiri<\/a> T\u00fcrkiye\u2019deki edebi ak\u0131mlardan, toplumsal olaylardan etkilenmi\u015ftir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s\u2019ta \u00e7\u0131karalan \u2018\u0130r\u015fad, Davul, Ankebut, Vatan, Hakikat, Birlik\u2019 gibi gazete ve dergilerde T\u00fcrkiye\u2019deki\u00a0 Kurtulu\u015f Sava\u015f\u0131\u2019na destek vermek, moral bozucu yay\u0131nlar\u0131n etkisini azaltmak amac\u0131yla \u015fiirler ve yaz\u0131lar yaz\u0131lm\u0131\u015ft\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1930\u2019lu y\u0131llarda \u00e7\u0131kar\u0131lan \u2018Masum Millet, Haber, Ses, Vakit gibi gazeteler yay\u0131mlan\u0131r fakat \u015fiir ad\u0131na kayda de\u011fer bir geli\u015fme olmaz.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1940 y\u0131l\u0131ndan itibaren yaz\u0131n hayat\u0131nda yeniden bir canlanma dikkat \u00e7ekicidir. T\u00fcrkiye Cumhuriyet\u2019i Lefko\u015fa Konsoloslu\u011fu\u2019nda g\u00f6revlendirilen gen\u00e7 edebiyat\u00a0 tutkunu Hikmet TA\u015eKENT etraf\u0131na hevesli gen\u00e7leri toplayarak \u201c\u00c7I\u011e HAREKET\u0130\u201d ni ba\u015flat\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 6 \u015fairle 3 yazar\u0131n \u00fcr\u00fcnlerinin bir araya getirildi\u011fi \u2018\u00c7I\u011e\u2019 ad\u0131nda bir g\u00fcldeste \u00e7\u0131kar\u0131l\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018\u00c7I\u011e\u2019 K\u0131br\u0131s T\u00fcrk \u015eiiri\u2019ni yerelle\u015ftirerek kurumsalla\u015ft\u0131rmay\u0131 ama\u00e7layan ilk ciddi harekettir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00fcrk \u015fiirindeki tarihsel d\u00f6nemlerin etkisi K\u0131br\u0131s\u2019a gecikmeli olarak yans\u0131m\u0131\u015ft\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1940 ku\u015fa\u011f\u0131n\u0131n \u00f6nde gelen isimlerinden Urkiye Mine, Engin G\u00f6n\u00fcl, Nazif S\u00fcleyman Ebeo\u011flu vb. nin \u015fiirleri \u0130stanbul\u2019da bas\u0131lan Nihad Sami Banarl\u0131<\/a>\u2019n\u0131n \u00e7\u0131kard\u0131\u011f\u0131 \u2018YED\u0130G\u00dcN\u2019 dergisinde yay\u0131mlan\u0131r. \u00a0 \u00a0<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Nazif S\u00fcleyman EBEO\u011eLU\u2019na ait \u2018Beyrut R\u0131ht\u0131mlar\u0131nda\u2019 (1942) adl\u0131 \u015fiir kitab\u0131 yerli bir \u015faire ait K\u0131br\u0131s\u2019ta bas\u0131lan ilk \u015fiir kitab\u0131d\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1950\u2019li y\u0131llar serbest \u015fiirin ilk \u00f6rneklerinin verildi\u011fi yeni bir d\u00f6nemin ba\u015flang\u0131c\u0131d\u0131r. T\u00fcrkiye\u2019deki \u2018Garip<\/a>\u2019 \u015fiir ak\u0131m\u0131n\u0131n etkisi vard\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s T\u00fcrk \u015eiiri\u2019nde serbest \u015fiirin ilk \u00f6rneklerini Urkiye Mine Balman ve Hikmet\u00a0 Afif Mapolar verir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1950-1960\u00a0 aras\u0131 Modern (\u00c7a\u011fda\u015f) K\u0131br\u0131s T\u00fcrk \u015eiiri\u2019ni olu\u015fturma \u00e7abalar\u0131n\u0131n verildi\u011fi y\u0131llard\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1955\u2019li y\u0131llardan 1970\u2019lere kadar \u015fiirlerin ana duygusunu ulusal duyarl\u0131l\u0131klar olu\u015fturur, somut olaylar anlat\u0131l\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Bu d\u00f6nemde K\u0131br\u0131s T\u00fcrk halk\u0131na yap\u0131lan sald\u0131r\u0131lara kar\u015f\u0131 yap\u0131lan ulusal m\u00fccadelenin yan\u0131nda Anavatan\u2019a kavu\u015fma, bayrak sevgisi, T\u00fcrkl\u00fck bilinci gibi temalar a\u011f\u0131rl\u0131ktad\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 M\u00fccadele d\u00f6neminin en \u00fcretken \u015fairi \u00d6zker YA\u015eIN\u2019d\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 O\u011fuz KUSETO\u011eLU, Pembe MARMARA, Kutlu ADALI, S\u00fcleyman ULU\u00c7AMG\u0130L, Orbay DEL\u0130CE IRMAK, Bener Hakk\u0131 HAKER\u0130 ulusalc\u0131 \u015fiirin temsilcileridir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s T\u00fcrk \u015eiiri\u2019nde soyut \u015fiirin \u00f6nc\u00fcleri Fikret DEM\u0130RA\u011e ile Mehmet KANSU\u2019dur.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1970\u2019li y\u0131llarda d\u00fcnyadaki siyasal ak\u0131mlar\u0131n etkisiyle Toplumcu-Ger\u00e7ek\u00e7i anlay\u0131\u015f \u015fiire yans\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Toplumcu-Ger\u00e7ek\u00e7i \u015fiirin ilk \u00f6rneklerini \u015eener LEVENT verir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 1974 sonras\u0131 K\u0131br\u0131s T\u00fcrk \u015eiiri\u2019nde \u00e7ok seslilik \u00f6n plandad\u0131r. Ge\u00e7mi\u015fin ac\u0131lar\u0131n\u0131 ya\u015fayanlarla gen\u00e7 ku\u015faklarda \u00fcslup ve i\u00e7erik bak\u0131m\u0131ndan farkl\u0131l\u0131klar vard\u0131r.<\/strong><\/p>\n

ESK\u0130 KIBRIS T\u00dcRK \u015e\u0130\u0130R\u0130 :<\/span><\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 K\u0131br\u0131s\u2019ta yaz\u0131lan ilk \u015fiirler Divan Edebiyat\u0131 etkisi ta\u015f\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eairler \u015fiirlerini Divan adl\u0131 bir kitapta toplad\u0131\u011f\u0131 i\u00e7in bu ad\u0131 al\u0131r.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Divan \u015fiiri y\u00fcksek z\u00fcmreye hitap eden, s\u00f6z ve anlam sanatlar\u0131n\u0131n s\u0131k\u00e7a kullan\u0131ld\u0131\u011f\u0131 bir edebiyat\u0131n \u00fcr\u00fcn\u00fcd\u00fcr.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Divan \u015fiirinin K\u0131br\u0131s\u2019ta yayg\u0131nla\u015fmas\u0131nda fetihten sonra gelen Mevlev\u00ee-Bekta\u015f\u00ee dervi\u015flerinin rol\u00fc b\u00fcy\u00fckt\u00fcr.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 D\u00f6nemin tek halk \u015fairi A\u015f\u0131k Kenz\u00ee\u00a0 de Divan \u015fiiri bi\u00e7imlerini kullanm\u0131\u015ft\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Ara\u015ft\u0131rmac\u0131-Yazar Harid Fedai\u2019nin saptad\u0131\u011f\u0131 Divan \u015eairleri: Misal\u00ee, Zeka\u00ee, Siyah\u00ee, Na\u2019ib, Arif Efendi, Hand\u00ee, Mus\u00eeb, M\u00fcft\u00fc Hasan Hilmi Efendi, Hac\u0131 Hasan Tahsin Bey, Yusuf Ziya gibi isimler say\u0131labilir.<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Divan \u015fiiri<\/a>nin en g\u00fc\u00e7l\u00fc temsilcisi M\u00fcft\u00fc Hasan Hilmi Efendi\u2019dir.<\/p>\n

\u00a0<\/strong>D\u0130VAN EDEB\u0130YATININI GENEL \u00d6ZELL\u0130KLER\u0130<\/strong><\/p>\n

\u00a0<\/strong>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eiirler<\/a>de aruz \u00f6l\u00e7\u00fcs\u00fc<\/a> kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eiirler, aralar\u0131nda konu birli\u011fi bulunmayan ve her biri ba\u011f\u0131ms\u0131z bir s\u00f6z olan beyit birimiyle yaz\u0131lm\u0131\u015ft\u0131r. Ayr\u0131ca naz\u0131m birimi olarak d\u00f6rtl\u00fc\u011f\u00fcn kullan\u0131ld\u0131\u011f\u0131 naz\u0131m bi\u00e7imleri de vard\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eairler, mazmun denilen, kli\u015fele\u015fmi\u015f, kal\u0131pla\u015fm\u0131\u015f s\u00f6zler kullanm\u0131\u015flard\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arap\u00e7a, Fars\u00e7a s\u00f6zc\u00fck ve tamlamalarla y\u00fckl\u00fc bir dil kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u00f6z sanatlar\u0131na fazlaca yer verilmi\u015ftir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eiirde konu b\u00fct\u00fcnl\u00fc\u011f\u00fc aranmaz, beyit b\u00fct\u00fcnl\u00fc\u011f\u00fc esast\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Konu her beyitte tamamlan\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Par\u00e7a g\u00fczelli\u011fi, b\u00fct\u00fcn g\u00fczelli\u011finden \u00f6nemlidir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anlamdan \u00e7ok s\u00f6yleyi\u015fe \u00f6nem verilir. Ne s\u00f6ylendi\u011fi de\u011fil, nas\u0131l s\u00f6ylendi\u011fi \u00f6nemlidir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Uyak g\u00f6z i\u00e7indir ve \u00e7ok \u00f6nemlidir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Genellikle zengin uyak kullan\u0131l\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Konu b\u00fct\u00fcnl\u00fc\u011f\u00fc olmad\u0131\u011f\u0131 i\u00e7in \u015fiirlere ba\u015fl\u0131k konulmaz.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Her \u015fiir<\/a>, redifiyle veya t\u00fcr\u00fcn\u00fcn ad\u0131yla an\u0131l\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0130nsan\u0131n i\u00e7 d\u00fcnyas\u0131na y\u00f6nelik, soyut bir edebiyatt\u0131r.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u015eiirde g\u00f6zlemden daha \u00e7ok, hayallere yer verilir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ya\u015famdan kopuktur, g\u00fcnl\u00fck ya\u015fama pek yer verilmez.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arap ve Fars edebiyat<\/a>lar\u0131n\u0131n etkisinde geli\u015fmi\u015ftir.<\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Divan edebiyat\u0131<\/a>nda a\u015fk, \u015farap, sevgili, \u00f6l\u00fcm, \u00f6vg\u00fc, yergi, tabiat ve tasavvuf gibi konular i\u015flenir.<\/p>\n

Ayr\u0131ca bk. \u00a0K\u0131br\u0131s T\u00fcrk Edebiyat\u0131 ile \u0130lgili Sorular ve Cevaplar\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

KIBRIS T\u00dcRK EDEB\u0130YATI DERS NOTLARI\u00a0\u015e\u0130\u0130R VE D\u00dcZYAZI (Kemal BA\u015e)\u00a0\u0130ND\u0130R A\u015fa\u011f\u0131da dosya i\u00e7eri\u011finin bir b\u00f6l\u00fcm\u00fc mevcuttur. Be\u011fendiyseniz yukar\u0131daki \u0130ndir linkinden dosyan\u0131n tamam\u0131n\u0131 indirebilirsiniz. KIBRIS T\u00dcRK \u015e\u0130\u0130R\u0130: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-81","post","type-post","status-publish","format-standard","hentry","category-turkiye-disindaki-turk-edebiyati"],"_links":{"self":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":0,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/posts\/81\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/media?parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/categories?post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.xn--edebiyatgretmeni-twb.net\/portal\/wp-json\/wp\/v2\/tags?post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}